Friday, January 29, 2016

The Hidden Michael Green






  Manhattan art collector and her painting acquisition, with Michael Green at her private art gallery. 2009.

 For almost 20 years, I have been Art Agent for Michael Green Senior and we've had many successes of which few people are aware. 
 Mr. Green is an amazing talent, and his work can be found in prominent collections throughout the country, including The Butler Institute of American Art, one of our country's premiere art museums. 
 In 2008 my work as his agent took some astounding leaps. Since the mid 90's I'd been working on my New York City art career and I'd met several prominent, wealthy art collectors. One of them, while visiting Youngstown on a business trip, saw some of Michael's paintings and tracked me down. We began working together to build her collection of his work. She purchased many paintings at market value and had them professionally framed at a frame shop of which I was co-owner. Having just acquired her third luxury apartment in lower Manhattan, she turned one large room into a gorgeous, professional gallery to showcase his work. Since then I've seen many photos of parties and events featuring prominent New Yorkers having a grand time in the presence Michael's beautiful paintings.
 And so, with a tip of my hat to my dear friend and business partner, Michael Green, I wish you the best for the upcoming years. We're not finished with NYC, friend, and NYC is not finished with us!

Bravo!



Saturday, January 9, 2016

Soap Gallery - Anastasia Soboleva





Soap Gallery, downtown Youngstown, hosts an amazing exhibition of art by women from Northern Ohio and Western Pennsylvania. All the work is of high quality and represents some of the finest paintings, sculpture, drawings and ceramics that our region has to offer. 
The opening was very well attended and had a definite metropolitan feel, tempered with our warm, small town quaintness.
The star of the show, in this artist's humble opinion, is Anastasia Soboleva, a successful, internationally recognized artist who is now studying Art in Cleveland. Her large scale paintings on bedsheets are compelling, seductive and complex. The female figure is her primary concern, the work is rich and painterly, done with a high level of technical skill.

Visit her website- http://sobolevanastasia.com/home.html

In a recent interview her involvement with the international art scene is discussed:
http://www.cia.edu/news/stories/following-her-talents-qa-with-drawing-and-painting-major-anastasia-soboleva

Tuesday, December 8, 2015

Downtown Youngstown Art History

1985-2000

Oakland Center for the Arts.
Oakland Theater. Ballet Western Reserve. Star Gallery.

Scott Pergandes building. West Federal Street.
Housed several residents. had multiple art studios. Art Gallery. Hosted yearly christmas and halloween parties and other events. Huge art and antique collection on permanent display.

Bone Hole. West Federal Street.
Art and music studios. Held many art related parties. Several art studios. several residents.

Al Brights Studio. West Federal Street
housed  gigantic art studio and his massive collection of authentic african art.

Mad Love. West Federal Street.
art studio and residents.

Tom Krakar Gallery. Fine Art Gallery that hosted many gallery shows. West Federal Street.

Best Art. Jim Pernotto. Federal Plaza. Multiple art studios and galleries.

Art Attack Studios. Chris Yambar. Housed many studios.

Coy Cornelius Gallery. Housed multiple studios, residents and a Fine Art Gallery. Martin Luther and Belmont Ave.

Ward Bakery. Many studios and art galleries. Lower Mahoning Ave.

Cedar Bar and Cafe. Music venue that displayed artwork, he,d poetry reading and was the premier watering hole for the arts community.

Downtown Draught House.  West Federal Street. Bar that was important to the West End Art community.

Beat Coffee House. Daytime watering hole of YSU Art students. Hosted monthly art shows and weekly music events.

Clingan Waddell Hall. Ceramic and Sculpture studios for YSU. Now is named Penguin Place and houses honor students. No longer part of the YSU Art Department.

Sunday, October 4, 2015

Thursday, September 17, 2015

With Corn as My Witness. Solo Exhibition Statement. University of Mount Union.





Post Card Image. Rain and Rubies. Oil on Canvas. 42x27 Inches. 2014.



 Because of genocide and cultural destruction of the Native Peoples of the Americas, the mythology of corn has been nearly lost. In our Western mythologies and traditions, the glories of the other grains are well known. The Bible would be an example of how wheat, an Old World grain, is heavily mythologized.
 This lack of mythology of corn has allowed us to immensely disrespect the grain, its complexities, history and power. And yet, we are a corn dependent nation. It has become a mere commodity to be bought, sold and manipulated. We consume massive amounts of corn through fuel, food and feed for our livestock. 332 million metric tons of corn are grown every year, with 130 million metric tons being converted into ethanol.
 However, when we step into a cornfield, we feel ourselves being submerged into history and mythology. We hear the whispers of the corn through the breeze as it rustles the long leaves. Go deep enough into a summer stand of corn, and you will swear you are being watched by someone or something, three rows over, just out of sight.
 My immigrant Slovak family had a cattle farm for several generations, where I spent many summers bailing hay and doing other farm work. We grew many acres of corn to feed the livestock. It seemed like everything that I did growing up, everything I experienced, was somehow related to corn. From long hours of hard labor out in the fields under the hot sun, to frigid winter days hunting for that big buck, corn was the one constant.
 As kids, we did crazy things like 'corning' where we threw handfuls of corn at cars, mobile homes and houses. When the grain hit any hard or metallic surface, it sounded like a shotgun blast.
 My teenage years were very difficult, as we often lived in or near poverty. I once asked a girl on a date and she turned me down. I was crushed, as only an artistic, overly sensitive country boy can be. I went out into a corn field to be alone, to soothe my hurt feelings, to try and rid myself of the blackness that was over taking me. As I walked, something glimmering caught my eye among the roots of the young corn. It was a perfect, beautiful arrowhead of a very rare type. I felt elated and I took it as a sign.  
 Corn has been the subject of my paintings for decades now. I love the repetitive qualities of the kernels, the planted stalks and the furrows. Exhibiting an amazing amount of colors, textures and structural features, the plant always keeps me mesmerized and excited. Corn's presence in the Ohio landscape is always profound and sublime for me. I've often found myself awestruck by a whitened, ripened cornfield in December as heavy, winter storm clouds tower above it.
 With the advent of the internet and digital technology, corn remains prominent in our collective vision. Can we ever go a day without corn making some headline in regards to genetic engineering, diet, economic policy or politics?  








Black Dog Series

      

Paintings from my Black Dog series deal with deep psychological issues, personal battles and view of self. Begun in 1989, the series features a character who faces mayhem and misfortune at every turn. The paintings have won awards at various Butler Museum shows and twice been accepted into the Butler Museums's National Midyear Exhibition.





The Last Snowman. Acrylic on Panel. 24x16 Inches. National Midyear Exhibition. Butler Institute of American Art. 2015.







Enlightenment #1. Acrylic on Panel. 24x18 Inches. National Midyear Exhibition.
Butler Institute of American Art. 2010.







Moonlight on the Furrows





 Moonlight on the Furrows is an oil on canvas and 40x60 inches. It was inspired my many walks in the fields on warm, Autumn nights. Originally titled Fukushima Moon, it is an agitated, irradiated landscape with the moon as antagonist. In 2012 it was shown at the Area Artist Annual, Butler Institute of American Art. In 2013 it was a featured piece in my solo exhibition, Feathers and Fence Posts, Fresh A.I.R. Gallery, downtown Columbus, Ohio. In June of 2015, DNA Gallery hosted my solo exhibition, Sol Invictus, with Moonlight on the Furrows being a featured work.








Moonlight on the Furrows. Oil on Canvas. 40x60 Inches. 2012.








     Moonlight on the Furrows. Displayed at the Butler Institute of American Art. Area Artist Annual. 2012.





My new client and current owner of Moonlight on the Furrows. 
Sol Invictus. Solo Exhibition. DNA Gallery. Downtown Warren, Ohio. June, 2015.






WEBSITE
www.VanHooseArt.com